VJ Heaven

0-14: Solar System Planet Project 15-17:Green Screen tracking shot 18-26:Solar System Project 27-30:Lucidity Meditation Website Graphic with Chakras 31-34:Sereneta 3d can model and packaging texture design 35-38:Halloween Card cemetery animation 39-41:Polaroid nei sogni vfx experiment 42-48:Namaste Chaos Motion Graphic composition 49-50:Sean Green screen polaroid motion graphic 51-54:shadows of the fallen patriots native american indian and totem pole 55-1:01: Dismal Savior Video game poster design 1:02-1:08: Numark NUVJ 3d model 1:09-1:16- Earth solar system project 1:17-1:22: Visuell Noir 2.5 D motion graphic 1:23-1:24: 3d can wireframe 1:24-1:25: 3d can rendered 1:26-1:28: astronaut 2.5D 1:29-1:32- Solar system project 1:33-1:36 Green Screen Composite 1:37-1:40- Skull motion graphic 1:41-1:45- Serenetea Can 3d model 1:46-1:49: Eves Garden Design 1:50-1:54- Astronaut Motion graphic 1:55-1:56: Lucidity meditation website 1:57-1:59: 3d clock model 2:00-2:02: Justin Green Screen and tracking 2:03-2:11: Solar system project 2:12-2:18: astronaut motion graphic 2:19- 2:23: Mountains motion graphic 2:24-2:28: Horizion company design 2:29-2:36: Visuell Noir motion graphic 2:37-2:40: pentagram animation 2:41-2:54: solar system project 2:55-3:13- Visuell Noir motion graphic

www.droid-life.com – Angry Birds full version should be released on Android tomorrow 10 and we got a sneak peak of it.

横浜国際映像祭2009『CREAM』にて、VJ QUIZがNHKのクリエイティブラボの素材をいじりたおしてるのを見ながら、Merce Deathが即興で演奏をしているところです。

simple step by step on how to install the android os on the sprint touch pro 2 with windows mobile. download the following files the Android OS @ www.jbpcrepair.com and the Gen Y Dual Boot @ handheld.softpedia.com shout out to xda and the developers working hard to make this possible. Thx, Frost`T @ MobileMiddleMen

The native WebKit browser lets users experience the “full web” and easily move between browsing and other tasks on their phone.

dj, vj, videoart, danceparty, los angeles, dance, webcamart, topfloor, art, visuals, motiongraphics, dancers, techno, electro, rock, indie, musicvideo

WE ALL WEAR MASKS is a visual live band. This is the full live captation of our performance that took place thursday 01.04.10. at Sint-Lucas Gent. The audience was asked to deliver us some images in a shared map over the network, which we mixed live on the music of Venetian Snares – Integraation. Software: Photoshop (for placing the images live in a individual mask-grid system), Quartz Composer & VDMX5 Hardware: a bunch of midi-controllers, 4 macbooks, 1 beamer and a Camcorder.

Hello ! My name is Frederic Gerchambeau. I have made this movie and this music. The music has been made entirely with Plogue Bidule in only one take, no overdub and no edit. The virtual images have been created with Gephex. Enjoy ! www.myspace.com

V-JAMM PROMO BULL CRAP

Hardly a day goes by, it seems, that someone isn’t talking about the death of the album, replaced by singles. When they say “album,” however, they tend to mean “pop album,” using as their primary metric sales of the very top end of the spectrum. In electronic music, the album has never been about sales. For one, singles have long ruled the dance floor, long before iTunes began peddling online downloads of a la carte tracks. But more than that, albums are a unit of time, a packaged statement of aesthetic thought. They’re a story. And after an explosion of flash-pot diversity, labels today begin to be valued for their longevity and endurance. Albums once justified the label. Now, labels are a reason for albums to exist.

Of course, actually figuring out how to do that is as challenging – in business and cuisine – as running a restaurant. You need enough diversity to keep people coming back, but without becoming chaotic or losing the plot. You need a quantity / quality list.

Ghostly International is to me one of the superstar musical chefs that’s done it right. This summer, they’ve reached the milestone of 100 album releases. That may sound like a lot, but Ghostly has had just over a decade in operation, meaning they’re averaging just around ten releases a year.

I’m not personally shelling out for one of the 50 in this series, but I really admire its design. It embodies Ghostly’s philosophy – and it’s also a symbolic milestone. With its beautiful, organic design, it’s a physical manifestation of the new, enduring album, the album that survives even in the age of torrent sites and iTunes singles and enormous hard drives and music as commodity. As Ghostly puts it:

The Ghostly Bento was inspired by Japan and its tradition of quality, service, and design—values that Ghostly has always cherished. “Manzoku” is a Japanese word that roughly translates to “satisfaction.” Thus, the Bento is an intimate celebration of satisfaction in multiple forms—tactile, visual, aural—packaged in a handcrafted wooden box, stained and etched with a stunning image by LA artist Dosa Kim.

Putting out pretty wooden boxes isn’t going to justify any label, but Ghostly is busy, as always, this month.

Here in New York at digital tech research hub Eyebeam, a handful of artists will gather to collaborate with the label on visualization of music, under the tutelage of digital artists Aaron Myers and Aaron Koblin, as covered previously on CDMotion:
Matching Visuals to Music: Round-up of Inspiration
I hope to be there covering what happens, and coding myself.

This Friday July 9 in San Francisco and Saturday July 10 in Los Angeles, Ghostly will celebrate its 100 discs with live events, featuring favored artists like Tycho, Shigeto, The Sight Below, and Mux Mool. (If anyone from CDM’s readership would like to go cover, we’d be much obliged!)
XLR8R.com, SF event, LA showcase

And if you want to include records other than just Ghostly’s in your listening queue, check out their lovely look back at the past decade at the end of last year – plenty of agreement in my own music library here.
Ghostly’s 110: Our Favorite Albums of the Decade

Meanwhile, if you want a look behind the scenes with a Ghostly artist, here’s what Christopher Willits is up to with Livid Instruments’ Block (see last week’s round-up) and Ableton Live with Max for Live, for our friends at XLR8R.

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